In Mapping the Americas, Shari M. Huhndorf tracks changing
conceptions of Native culture as it increasingly transcends
national boundaries and takes up vital concerns such as patriarchy,
labor and environmental exploitation, the emergence of pan-Native
urban communities, global imperialism, and the commodification of
indigenous cultures.
While nationalism remains a dominant anticolonial strategy in
indigenous contexts, Huhndorf examines the ways in which
transnational indigenous politics have reshaped Native culture
(especially novels, films, photography, and performance) in the
United States and Canada since the 1980s. Mapping the Americas thus
broadens the political paradigms that have dominated recent
critical work in Native studies as well as the geographies that
provide its focus, particularly through its engagement with the
Arctic.
Among the manifestations of these new tendencies in Native
culture that Huhndorf presents are Igloolik Isuma Productions, the
Inuit company that has produced nearly forty films, including
Atanarjuat, The Fast Runner; indigenous feminist playwrights;
Leslie Marmon Silko's Almanac of the Dead; and the multimedia
artist Shelley Niro. Huhndorf also addresses the neglect of Native
America by champions of "postnationalist" American studies, which
shifts attention away from ongoing colonial relationships between
the United States and indigenous communities within its borders to
U.S. imperial relations overseas.
This is a dangerous oversight, Huhndorf argues, because this
neglect risks repeating the disavowal of imperialism that the new
American studies takes to task. Parallel transnational tendencies
in American studies and Native American studies have thus worked at
cross-purposes: as pan-tribal alliances draw attention to U.S.
internal colonialism and its connections to global imperialism,
American studies deflects attention from these ongoing processes of
conquest. Mapping the Americas addresses this neglect by
considering what happens to American studies when you put Native
studies at the center.
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