Senegalese director Ousmane Sembene has often been referred to
as a pioneer of the sub-Saharan African cinema. From "Borom Sarret"
(1963) to "Guelwaar" (1992), Sembene has developed a political and
aesthetic project that has deeply influenced the evolution of
African filmmaking. This project, with its goal to create a new
Africa free of the remnants of colonialist oppression, has
subsequently become the objective of emerging generations of
African filmmakers. In this book seven scholars explore Sembene's
notion of a new Africa by examining the central issues of change,
cultural alienation and economic dependence that infuse the
director's cinematic and literary works.
In this book seven scholars explore Sembene's notion of a new
Africa by examining the central issues of change, cultural
alienation and economic dependence that infuse the director's
cinematic and literary works.
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