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Tears of Rage - The Racial Interface of Modern American Fiction-Faulkner, Wright, Pynchon, Morrison (Paperback)
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Tears of Rage - The Racial Interface of Modern American Fiction-Faulkner, Wright, Pynchon, Morrison (Paperback)
Series: Southern Literary Studies
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In this provocative study, Shelly Brivic presents the history of
the twentieth-century American novel as a continuous narrative
dialogue between white and black voices. Exploring four of the most
renowned and challenging works written between 1930 and 1990 -
William Faulkner's Absalom, Absalom!, Richard Wright's Native Son,
Thomas Pynchon's V., and Toni Morrison's Beloved - Brivic traces
how these works progress through the interaction of white and black
perspectives toward confronting the calamity of slavery and its
reverberating aftermath and continuing legacy. Brivic shows how one
novel leads ineluctably to the next and how the four works in a
sense form one continuous narrative: with Faulkner's attack on the
racial system in Absalom, Absalom! in the 1930s, a literary space
opened for Wright's devastating novel of protest. Through the
character of Bigger Thomas, Wright's Native Son exposes a virtually
incurable division in American ideologies, which leads to the
multiplying perspectives of postmodernism in Pynchon's V. Arriving
at the crest of the civil rights movement, V. questions Western
systems of control, laying a foundation for a world outside the
white one, and so providing a basis for the African view of reality
presented in Morrison's Beloved. The emergence of African
consciousness in American literature exemplified across these works
has had, and continues to have, Brivic concludes, the potential not
only to redress ongoing injustices but to bring about a new
conception of the American universe and its laws of reality.
Striking in both the selection of novels and the connections Brivic
draws among them, Tears of Rage advances understanding of the
destructive nature of racism and the possibilities for overcoming
its effects through literature.
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