Giving equal space to the sanctity of script and the artistic
freedom of directors, this book addresses the difficulties
encountered by playwrights and directors as they bring a script to
the stage. Inspired directors can help a writer of genius turn his
play into exciting theatre, but playwrights find that giving
directors leeway to interpret and modify text can result in
directors' overriding authorial intentions. This book presents the
best that has been written by literary theorists on the current
definitions of text and attempts to depart from quick rule-of-thumb
assessments of the problem.
Drawing from definitive articles in literary and theatre
journals, part one gives the reader basic concepts and terminology.
Interviews with playwrights and directors, showing the complexity
of the issue, appear in part two, and part three includes case
studies of playwrights and directors who faced production crises.
Legal aspects of collaboration are considered in part four. The
book concludes with a positive approach and possible solution to
the problem.
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