In its ten-year history, the Hitchcock Annual has established
itself as a key source of historical information and critical
commentary on one of the central figures in film history and
arguably one of the most important artists of the twentieth
century. Fans of Alfred Hitchcock -- both scholars and general
readers alike -- will be entertained and informed by this selection
of writings, which offers an overview of the current thinking on
the filmmaker and his work. The articles span his career and cover
a wide range of topics from archeological investigations uncovering
new details about his working methods and conditions to incisive
analyses of the films themselves.
The collection begins with rare insights into Hitchcock's early
years, including his work in Germany and his silent film Easy
Virtue, which, with its metaphoric play on the concept of "being
framed, " dramatizes aspects of the human condition to which
Hitchcock returned repeatedly. Commentators explore a variety of
themes, including the centrality of kissing shots and sequences in
nearly all the films, and images of women's handbags as elements of
suspense and sexual tension in such films as Dial M for Murder and
Psycho. Other essays examine the influence of Vertigo, The Birds,
and Frenzy on Francois Truffaut, the remaking of Psycho, and
feminist interpretations of Shadow of a Doubt. Interviews with Jay
Presson Allen and Evan Hunter illuminate Hitchcock's working
relationship with screenwriters, actors, and actresses. Written by
established as well as emerging critics of Hitchcock, this
fascinating collection will help shape future appreciation and
interpretation of an enormously important and influential
filmmaker.
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