The media are now redundant. In an overview of developments
spanning the past seventy years, Siegfried Zielinski's [ . . .
After the Media] discusses how the means of technology-based
communication assumed a systemic character and how theory, art, and
criticism were operative in this process. Media-explicit thinking
is contrasted with media-implicit thought. Points of contact with
an arts perspective include a reinterpretation of the artist Nam
June Paik and an introduction to the work of Jake and Dinos
Chapman. The essay ends with two appeals. In an outline of a
precise philology of exact things, Zielinski suggests possibilities
of how things could proceed after the media. With a vade mecum
against psychopathia medialis in the form of a manifesto, the book
advocates for a distinction to be made between online existence and
offline being.
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