Employing a hybrid approach located somewhere between research
project, retail display, and promotional campaign, Simon Denny's
diverse artistic practice reflects on the production, distribution,
and consumption of media in an age of accelerated technological
obsolescence and relentless cultural overproduction. Through a
variety of media, including photographs, sculpture, video, and
printed ephemera, Denny invites us to consider the evolution of
television and video as both technologies and cultural forms.
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