The nineteenth century in France witnessed the emergence of the
structures of the modern art market that remain until this day.
This book examines the relationship between the avant-garde
Barbizon landscape painter, Théodore Rousseau (1812-1867), and
this market, exploring the constellation of patrons, art dealers,
and critics who surrounded the artist. Simon Kelly argues for the
pioneering role of Rousseau, his patrons, and his public in the
origins of the modern art market, and, in so doing, shifts
attention away from the more traditional focus on the novel careers
of the Impressionists and their supporters. Drawing on extensive
archival research, the book offers fresh insight into the role of
the modern artist as professional. It provides a new understanding
of the complex iconographical and formal choices within
Rousseau’s oeuvre, rediscovering the original radical charge that
once surrounded the artist’s work and led to extensive and
peculiarly modern tensions with the market place.
General
Imprint: |
Bloomsbury Visual Arts
|
Country of origin: |
United Kingdom |
Series: |
Contextualizing Art Markets |
Release date: |
November 2023 |
Authors: |
Simon Kelly
|
Dimensions: |
234 x 156mm (L x W) |
Pages: |
272 |
ISBN-13: |
978-1-350-43070-9 |
Categories: |
Books
|
LSN: |
1-350-43070-6 |
Barcode: |
9781350430709 |
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