In her second book of poems Sinead Morrissey's worlds grow more
diverse, encompassing the Orient, the Antipodes, America and an
Ireland which recent history has changed: a country observed
through eyes that travel and time have made clear, dispassionate
and disabused. The poems are still hungry for grace, but in each
new geographical and spiritual territory what seems promise is
undermined by material and cultural reality; the ceremonies and
beliefs of Japan, for example, yield the most colourful spiritual
barrenness; and when the poet returns to Ireland it is with a
political anger sharpened by the very directness of her vision. Her
use of traditional forms is freer and more assured than ever: her
wit is visual and semantic, and wonderfully nuanced in her unusual
rhythms of speech.
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