craftsman working in a set tradition for a lifetime? What is the
value of handwork? Why should even the roughly lacquered rice bowl
of a Japanese farmer be thought beautiful? The late Soetsu Yanagi
was the first to fully explore the traditional Japanese
appreciation for objects born, not made. Mr. Yanagi sees folk art
as a manifestation of the essential world from which art,
philosophy, and religion arise and in which the barriers between
them disappear. The implications of the author's ideas are both
far-reaching and practical. Soetsu Yanagi is often mentioned in
books on Japanese art, but this is the first translation in any
Western language of a selection of his major writings. The late
Bernard Leach, renowned British potter and friend of Mr. Yanagi for
fifty years, has clearly transmitted the insights of one of Japan's
most important thinkers. The seventy-six plates illustrate objects
that underscore the universality of his concepts. The author's
profound view of the creative process and his plea for a new
artistic freedom within tradition are especially timely now when
the importance of craft and the handmade object is being
rediscovered.
General
Imprint: |
Kodansha America
|
Country of origin: |
United States |
Release date: |
June 2013 |
First published: |
June 2013 |
Authors: |
Soetsu Yanagi
• Bernard Leach
|
Dimensions: |
240 x 181 x 18mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
232 |
ISBN-13: |
978-1-56836-520-6 |
Categories: |
Books >
Promotion >
Manga
|
LSN: |
1-56836-520-9 |
Barcode: |
9781568365206 |
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