"Television and Criticism" unites distinguished scholars from the
fields of literary criticism, media studies, and film studies to
challenge the traditional boundaries between high and low culture.
Through a theoretical lens, this volume addresses such topics as
the blurring of genres, television and identity, and the
sophistication of television audiences by examining examples from
soap operas, televised adaptations of classic novels, film noir,
and popular shows like "Queer as Folk," "Seinfeld," and "Ally
McBeal." Ranging from Shakespeare to "Dragnet," this comprehensive
study will interest cultural studies scholars and media buffs
alike.
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