"In the vast literature of love, "The Seducer's Diary" is an
intricate curiosity--a feverishly intellectual attempt to
reconstruct an erotic failure as a pedagogic success, a wound
masked as a boast," observes John Updike in his foreword to Soren
Kierkegaard's narrative. This work, a chapter from Kierkegaard's
first major volume, "Either/Or," springs from his relationship with
his fiancee, Regine Olsen. Kierkegaard fell in love with the young
woman, ten years his junior, proposed to her, but then broke off
their engagement a year later. This event affected Kierkegaard
profoundly. Olsen became a muse for him, and a flood of volumes
resulted. His attempt to set right, in writing, what he feels was a
mistake in his relationship with Olsen taught him the secret of
"indirect communication." "The Seducer's Diary," then, becomes
Kierkegaard's attempt to portray himself as a scoundrel and thus
make their break easier for her.
Matters of marriage, the ethical versus the aesthetic, dread,
and, increasingly, the severities of Christianity are pondered by
Kierkegaard in this intense work."
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