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Dead Artists, Live Theories, and Other Cultural Problems (Paperback)
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Dead Artists, Live Theories, and Other Cultural Problems (Paperback)
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In these essays, Stanley Aronovitz examines some of the crucial
cultural shifts associated with the crisis of modernity. Against
the predominant view that Great Art possesses intrinsic aesthetic
value, the author contends that aesthetics has itself been
surpassed. In the introductory essay, Aronowitz argues aesthetics,
like mathematics education, is a powerful sorting machine which
preserves the hierarchical system of cultural and economic
privilege. In his essays of Bakhtin and Williams, he stresses that
their work shows literary and other artistic works as forms of
social knowledge; even "bad" literature may illuminate everyday
life and the "structure of feeling" far better than ethnographic,
historical and sociological studies. Yet he insists that art does
not "represent" the lifeworld, but can be understood as
constitutive of it. We read novels, watch TV and videos for
pleasure, but art produces experiences as much as it registers it.
The essays all take on the crisis in modernity: whether in
educational controversies, Murray Bookchin's social ecology, Roland
Barthes as a "star", the anti-aesthetics of postmodernism, or
recent transgressions in the philosophy of science.
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