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Amateur and Proletarian Theatre in Post-Revolutionary Russia - Primary Sources (Paperback)
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Amateur and Proletarian Theatre in Post-Revolutionary Russia - Primary Sources (Paperback)
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This is the first collection of primary sources that addresses the
amateur theatre produced by the workers in the first decade after
the Russian Revolution. Newly translated from the Russian, the
essays capture both theoretical articulations on the scene - by
luminaries such as Alexander Bogdanov, Platon Kerzhentsev, Valerian
Pletnev, Alexander Mgebrov and Valentin Smyshliaev - and the more
fleeting descriptions and first-hand accounts of the productions
staged, accounts and voices which are typically harder to capture.
The essays tell a story of unabashed optimism in the creativity of
the working classes. They speak of the use of theatre to carve a
public and political role in the construction of a new world. The
sources, however, also exhibit the flipside of the scene, or the
sombre difficulties faced by the amateur actors and the incessant
calls to raise standards through professional help. The narrative
developed is that of an amateur theatre which began as an
autonomous and heterogeneous activity but which by the mid-to-late
1920s was transformed into a regulated practice and a space for
cultural programming. The collection makes an important
contribution to our understanding of modern theatre: scholarship
conventionally tackles the canonical names from the professional
world but gives little attention to the more down-to-earth forms of
performance taking place in factories, clubs and amateur circles.
An introductory essay also highlights the range and significance of
the collection and draws links between the essays.
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