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Monsters in the Machine - Science Fiction Film and the Militarization of America after World War II (Hardcover)
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Monsters in the Machine - Science Fiction Film and the Militarization of America after World War II (Hardcover)
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During the 1950s and early 1960s, the American film industry
produced a distinct cycle of films situated on the boundary between
horror and science fiction. Using the familiar imagery of science
fiction - from alien invasions to biological mutation and space
travel - the vast majority of these films subscribed to the effects
and aesthetics of horror film, anticipating the dystopian turn of
many science fiction films to come. Departing from projections of
American technological awe and optimism, these films often evinced
paranoia, unease, fear, shock, and disgust. Not only did these
movies address technophobia and its psychological, social, and
cultural corollaries; they also returned persistently to the
military as a source of character, setting, and conflict.
Commensurate with a state of perpetual mobilization, the US
military comes across as an inescapable presence in American life.
Regardless of their genre, Steffen Hantke argues that these films
have long been understood as allegories of the Cold War. They
register anxieties about two major issues of the time: atomic
technologies, especially the testing and use of nuclear weapons, as
well as communist aggression and/or subversion. Setting out to
question, expand, and correct this critical argument, Hantke
follows shifts and adjustments prompted by recent scholarly work
into the technological, political, and social history of America in
the 1950s. Based on this revised historical understanding, science
fiction films appear in a new light as they reflect on the troubled
memories of World War II, the emergence of the military-industrial
complex, the postwar rewriting of the American landscape, and the
relative insignificance of catastrophic nuclear war compared to
America's involvement in postcolonial conflicts around the globe.
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