This first book by UVA English Professor Cushman, the author of two
scholarly studies of modern poetry, displays a range of styles and
voices: at times studied and somber, Cushman lightens up in poems
about nature and family that often gain force through quiet rhymes
and regular measures. The writer's subtle shifts in rhythm from
poem to poem are in keeping with his Protestant sense of humility -
there's nothing showy in these straightforward narratives or gentle
sonnets. Having "fussed enough with faith," Cushman tries to come
to God through a contemplation of Lee praying for his troops in a
Virginia Church. He reveres the dead: soldiers dishonored by the
exploitive Civil War photographers in "War, Effect of a Shell on a
Confederate Soldier"; F. Scott Fitzgerald, at whose grave he
pledges "to misbehave, flap and roar"; and those in his family
history: his mother as a young girl praying for her father, dead at
Anzio; or a sister who dies at birth (but who speaks in her own
voice on Mother's Day). Religious rite commands reconsideration:
how communion literally joins us at the lip through the chalice;
how the imposition of ashes makes us look anew at dust; how the
sudden malfunction of the church organ results in true
congregational song. If Cushman's nature poems seem negligible,
despite gestures to Marianne Moore and Thoreau, his domestic poetry
is superlative: chatty, congenial, and full of the drama of family
life. A debut signaling a formidable talent - well worth watching.
(Kirkus Reviews)
In the title poem of this impressive debut collection, Stephen
Cushman speaks as much of his poetics as he does of his role as
father to a young child: ""I perform the offices of comfort / as
best I can. . . . I put it all on the line / one piece at a time.""
In many poems in this volume, Cushman puts himself on the line with
respect to family life, focusing on a parent or grandparent, spouse
or child. In others he roams freely among subjects, pausing along
the way before photographs from the Civil War, an engraving of
Envy, a newspaper clipping about two climbers frozen on a mountain,
wolves in a zoo, a woman who directs airplanes in from a runway.
Meanwhile, the poems also move from place to place, some lighting
in the Blue Ridge of central Virginia, some on the coast of Maine,
others looking abroad to an island in Greece. Whether about family,
history, religion, travel, or the natural world, these poems blend
the everyday with the visionary, combining attention to detail with
larger uncertainties. No matter how far a poem may wander in
geography or subject matter, sooner or later it returns to the work
of performing the offices of comfort, sometimes triumphantly with
joy or humor, sometimes reluctantly with an acknowledgment of
incompleteness and insufficiency. Finally, at a moment in the
history of American poetry when partisans of formal and free verse
view each other with mutual suspicion, Cushman's poems demonstrate
the pleasures and powers of treating the varieties of verse design
as a poet's rightful inheritance.
General
Imprint: |
Louisiana State University Press
|
Country of origin: |
United States |
Release date: |
July 1998 |
First published: |
July 1998 |
Authors: |
Stephen Cushman
|
Dimensions: |
229 x 140 x 5mm (L x W x T) |
Format: |
Paperback
|
Pages: |
56 |
Edition: |
New |
ISBN-13: |
978-0-8071-2303-4 |
Categories: |
Books
|
LSN: |
0-8071-2303-X |
Barcode: |
9780807123034 |
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