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Prokofiev's Ballets for Diaghilev (Paperback)
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Prokofiev's Ballets for Diaghilev (Paperback)
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Ballet impresario Sergey Pavlovich Diaghilev and composer Sergey
Sergeyevich Prokofiev are eminent figures in twentieth-century
cultural history, yet this is the first detailed account of their
fifteen-year collaboration. The beginning was not trouble-free, but
despite two false starts (Ala i Lolli and the first version of its
successor, Chout) Diaghilev maintained his confidence in the
composer. With his guidance and encouragement Prokofiev established
his mature balletic style. After some years of estrangement during
which Prokofiev wrote for choreographer Boris Romanov and
conductor/publisher Serge Koussevitsky, Diaghilev came to the
composer's rescue at a low point in his Western career. The
impresario encouraged Prokofiev's turn towards 'a new simplicity'
and offered him a great opportunity for career renewal with a
topical ballet on Soviet life (Le Pas d'acier). Even as late as
1928-29 Diaghilev compelled Prokofiev to achieve new heights of
expressivity in his characterizations (L'Enfant prodigue). Although
Western scholars have investigated Prokofiev's operas, piano works,
and symphonies, little attention has been paid to his early ballets
written for Diaghilev's Ballets Russes. Despite Prokofiev's
devotion to opera, it was his ballets for Diaghilev as much as his
concertos and solo piano works that earned his renown in Western
Europe in the 1920s. Stephen D. Press discusses the genesis of each
ballet, including the important contributions of the scenic
designers (Mikhail Larionov, Georgy Yakulov and Georges Rouault)
and the choreographer/dancers (Leonid Massine, Serge Lifar and
George Balanchine), and the special relationship between the
ballets' progenitors.
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