Mahler Studies comprises ten innovative essays on topics spanning
the range of Mahler research. Blaukopf's inquiry into critical
influences on Mahler's student years provides background for
Reilly's reassessment of sources for 'Opus 1', Das klagende Lied.
McClatchie introduces Mahler's previously inaccessible
correspondence with family members, while Feder presents insightful
psychoanalytic perspectives on Mahler's relationships to his sister
Justine and other women in his life before Alma. Mitchell and La
Grange explore the complex issue of quotation and allusion in
Mahler's oeuvre. The long-restricted Seventh Symphony sketchbook
provides detailed glimpses of that Mahlerian 'world' emerging in
its earliest stages, as documented by Hefling. Issues of tonal
structure and coherence are addressed by Agawu and Williamson,
while Franklin on Adorno's Mahler provides a clear explication of
that author's dialectic engagement with the composer.
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