An examination of work by the German music theorist, Alfred Lorenz,
to explain Wagner's operas and how they fit with German nationalist
ideology. The work of the Wagnerian theorist and analyst Alfred
Lorenz (1869-1939) has had a profound influence upon both Wagnerian
scholarship and music analysis in the twentieth century, and yet it
has never been properly evaluated. Analyzing Wagner's Operas
outlines the origins and development of the expressive aesthetic in
writings by Wagner and others, as well as in
early-twentieth-century theories of musical form, and it considers
Lorenz's work and contributions in this light. The book also hopes
to show, to the extent possible, where Lorenz's work acted as a
sort of "musical metaphor" for German nationalist ideology during
the Nazi era.
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