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Books > Social sciences > Politics & government > Political activism
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Maximum Feasible Participation - American Literature and the War on Poverty (Hardcover)
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Maximum Feasible Participation - American Literature and the War on Poverty (Hardcover)
Series: Post*45
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This book traces American writers' contributions and responses to
the War on Poverty. Its title comes from the 1964 Opportunity Act,
which established a network of federally funded Community Action
Agencies that encouraged "maximum feasible participation" by the
poor. With this phrase, the Johnson administration provided its
imprimatur for an emerging model of professionalism that sought to
eradicate boundaries between professionals and their clients-a
model that appealed to writers, especially African Americans and
Chicanos/as associated with the cultural nationalisms gaining
traction in the inner cities. These writers privileged artistic
process over product, rejecting conventions that separated writers
from their audiences. "Participatory professionalism," however,
drew on a social scientific conception of poverty that proved to be
the paradigm's undoing: the culture of poverty thesis popularized
by Oscar Lewis, Michael Harrington, and Daniel Moynihan. For
writers and policy experts associated with the War on Poverty, this
thesis described the cultural gap that they hoped to close.
Instead, it eventually led to the dismantling of the welfare state.
Ranging from the 1950s to the present, the book explores how
writers like Jack Kerouac, Amiri Baraka, Gwendolyn Brooks, Oscar
Zeta Acosta, Alice Walker, Philip Roth, and others exposed the War
on Poverty's contradictions during its heyday and kept its legacy
alive in the decades that followed.
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