Weimar cultural critics and intellectuals have repeatedly linked
the dynamic movement of the cinema to discourses of life and
animation. Correspondingly, recent film historians and theorists
have taken up these discourses to theorize the moving image, both
in analog and digital. But, many important issues are overlooked.
Combining close readings of individual films with detailed
interpretations of philosophical texts, all produced in Weimar
Germany immediately following the Great War, Afterlives: Allegories
of Film and Mortality in Early Weimar Germany shows how these films
teach viewers about living and dying within a modern, mass mediated
context. Choe places relatively underanalyzed films such as F. W.
Murnau's The Haunted Castle and Arthur Robison's Warning Shadows
alongside Martin Heidegger's early seminars on phenomenology,
Sigmund Freud's Reflections upon War and Death and Max Scheler's
critique of ressentiment. It is the experience of war trauma that
underpins these correspondences, and Choe foregrounds life and
death in the films by highlighting how they allegorize this
opposition through the thematics of animation and stasis.
General
Imprint: |
Bloomsbury Academic USA
|
Country of origin: |
United States |
Series: |
Thinking Cinema |
Release date: |
June 2014 |
First published: |
July 2014 |
Authors: |
Steve Choe
|
Dimensions: |
229 x 152 x 24mm (L x W x T) |
Format: |
Hardcover
|
Pages: |
288 |
ISBN-13: |
978-1-4411-7538-0 |
Languages: |
English
|
Subtitles: |
English
|
Categories: |
Books >
Arts & Architecture >
Performing arts >
Films, cinema >
General
|
LSN: |
1-4411-7538-5 |
Barcode: |
9781441175380 |
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