Steve Larson draws on his 20 years of research in music theory,
cognitivelinguistics, experimental psychology, and artificial
intelligence -- as well as hisskill as a jazz pianist -- to show
how the experience of physical motion can shapeone's musical
experience. Clarifying the roles of analogy, metaphor, grouping,
pattern, hierarchy, and emergence in the explanation of musical
meaning, Larsonexplains how listeners hear tonal music through the
analogues of physical gravity, magnetism, and inertia. His theory
of melodic expectation goes beyond prior theoriesin predicting
complete melodic patterns. Larson elegantly demonstrates how
rhythmand meter arise from, and are given meaning by, these same
musical forces.
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