Psychoanalytic theory has been the subject of attacks from
philosophers, cultural critics and scientists who have questioned
the cogency of its reasoning as well as the soundness of its
premises. Nevertheless, when used to shed light on horror cinema,
psychoanalysis in its various forms has proven to be a fruitful and
provocative interpretative tool. This volume seeks to find the
proper place of psychoanalytic thought in critical discussion of
cinema in a series of essays that debate its legitimacy, utility
and validity as applied to the horror genre. It distinguishes
itself from previous work in this area through the
self-consciousness with which psychoanalytic concepts are employed
and the theorization that coexists with interpretations of
particular horror films and subgenres.
General
Imprint: |
Cambridge UniversityPress
|
Country of origin: |
United Kingdom |
Series: |
Cambridge Studies in Film |
Release date: |
2009 |
First published: |
November 2008 |
Editors: |
Steven Jay Schneider
|
Dimensions: |
229 x 152 x 18mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
320 |
ISBN-13: |
978-0-521-10785-3 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Films, cinema >
General
|
LSN: |
0-521-10785-7 |
Barcode: |
9780521107853 |
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