The publication of the 1982 version of Army Field Manual (FM)
100-5, Operations, introduced to the English-speaking world the
idea of an operational level of war encompassing the planning and
conduct of campaigns and major operations. It was followed 3 years
later by the introduction of the term "operational art" which was,
in practice, the skillful management of the operational level of
war. This conception of an identifiably separate level of war that
defined the jurisdiction of the profession of arms was, for a
number of historical and cultural reasons, attractive to U.S.
practitioners and plausible to its English-speaking allies. As a
result, it and its associated doctrine spread rapidly around the
world. The authors argue that as warfare continues to diffuse
across definitional and conceptual boundaries and as the close
orchestration of all of the instruments of national power becomes
even more important, the current conception of campaigns and
operations becomes crippling.
General
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