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Javanese Gamelan and the West (Paperback)
Loot Price: R1,013
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Javanese Gamelan and the West (Paperback)
Series: Eastman/Rochester Studies Ethnomusicology
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Preeminant gamelan performer and scholar Sumarsam explores the
concept of hybridity in performance traditions that have developed
in the context of Javanese encounters with the West. Javanese
Gamelan and the West studies the meaning, forms, and traditions of
the Javanese performing arts as they developed and changed through
their contact with Western culture. Authored by a gamelan
performer, teacher, and scholar, the book traces the adaptations in
gamelan art as a result of Western colonialism in
nineteenth-century Java, showing how Western musical and dramatic
practices were domesticated by Javanese performers creating hybrid
Javanese-Western art forms, such as with the introduction of brass
bands in gendhing mares court music and West Javanese tanjidor, and
Western theatrical idioms in contemporary wayang puppet plays. The
book also examines the presentation of Javanese gamelan to the
West, detailing performances in World's Fairs and American academia
and considering its influence on Western performing arts and
musical and performance studies. The end result is a comprehensive
treatment of the formation of modern Javanese gamelan and a
fascinating look at how an art form dramatizes changes and
developments in a culture. Sumarsam is a University Professor of
Music at Wesleyan University. He is the author of Gamelan: Cultural
Interaction and Musical Development in Central Java (University of
Chicago Press, 1995) and numerous articles in English and
Indonesian. As a gamelan musician and a keenamateur dhalang
(puppeteer) of Javanese wayang puppet play, he performs, conducts
workshops, and lectures throughout the US, Australia, Europe, and
Asia.
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