"King has an eye and ear at times reminiscent of William Carlos
Williams, Elizabeth Bishop, Richard Wilbur, Amy Clampitt, Frost.
'Riveting': that's the word that summarizes this poet most
accurately. She sees and feels things up close, in ways rare in
American poetry these days. The eye on the object, and the rhythm
of the experience, even if that object is humble as an
earthworm."--Brendan Galvin
In "Dropping into the Flower," her fifth full-length collection
of poems, Susan Deborah King focuses in lush, sensual detail, on
many varieties of flower, celebrating their qualities and allowing
them to speak to her imagination. Close observation leads her,
through the flowers, to explore love, mortality, ecology, myth,
history, politics, healing, grief, and the transcendent.
In a voice suffused, by turns, with passion, vulnerability,
confidence, wonder, playfulness, and insight, and in a style rich
with rhythm and sound effects, she extends to the reader a generous
bouquet, vibrant and fragrant with immediacy of being.
From "Flowers that are Truly Orange are Relatively Few":
"If I had only one day, I'd want to burst as they do: peeled
out, with feelers, bold as leaping cossackstrumpeting over green
-starfires, with petals softas the cheeks of a child."
Her work having appeared widely in nationally recognized
journals, Susan Deborah King is the author of four other poetry
collections, including "One-Breasted Woman" and "Tabernacle: Poems
of an Island." She teaches creative writing and leads retreats on
creativity and spirituality.
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