In this pathbreaking study Susan Gubar demonstrates that Theodor
Adorno's famous injunction against writing poetry after Auschwitz
paradoxically inspired an ongoing literary tradition. From the
1960s to the present, as the Shoah receded into a more remote
European past, North American and British writers struggled to keep
its memory alive.
Many contemporary writers, among them Anthony Hecht, Gerald
Stem, Sylvia Plath, William Heyen, Michael Hamburger, Irena
Klepfisz, Adrienne Rich, Jorie Graham, Jacqueline Osherow, and Anne
Michaels, grappled with personal and political, ethical and
aesthetic consequences of the disaster. Through confessional verse
and reinventions of the elegy, as well as documentary poems about
photographs and trials, poets serve as proxy-witnesses of events
that they did not experience firsthand. By speaking about or even
as the dead, these men and women of letters elucidate what it means
to cite, reconfigure, consume, or envy the traumatic memories of an
earlier generation. As the testimonies of eyewitnesses come to a
close, this moving meditation by a major feminist critic finds in
poetry a stimulant to empathy that can help us take to heart what
we forget at our own peril.
General
Imprint: |
Indiana University Press
|
Country of origin: |
United States |
Series: |
Jewish Literature and Culture |
Release date: |
October 2006 |
First published: |
September 2006 |
Authors: |
Susan Gubar
|
Dimensions: |
226 x 145 x 22mm (L x W x T) |
Format: |
Paperback
|
Pages: |
313 |
Edition: |
New Ed |
ISBN-13: |
978-0-253-21887-2 |
Categories: |
Books
|
LSN: |
0-253-21887-X |
Barcode: |
9780253218872 |
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