In American Drama: The Bastard Art, Susan Harris Smith looks at the
many often conflicting cultural and academic reasons for the
neglect and dismissal of American drama as a legitimate literary
form. Covering a wide range of topics - theatrical performance, the
rise of nationalist feeling, the creation of academic disciplines,
and the development of sociology - Smith's study is a contentious
and revisionist historical inquiry into the troubled cultural and
canonical status of American drama, both as a literary genre and as
a mirror of American society.
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