A collection in five parts, Susan Howe's electrifying new book
opens with a preface by the poet that lays out some of Debths'
inspirations: the art of Paul Thek, the Isabella Stewart Gardner
collection, and early American writings; and in it she also
addresses memory's threads and galaxies, "the rule of remoteness,"
and "the luminous story surrounding all things noumenal." Following
the preface are four sections of poetry: "Titian Air Vent," "Tom
Tit Tot" (her newest collage poems), "Periscope," and "Debths." As
always with Howe, Debths brings "a not-being-in-the-no."
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