This manuscript focuses on a major Australian work of art: The
Aboriginal Memorial. The installation of 200 hollow log coffins was
made by 43 artists from Central Arnhem Land, in Australia's
bicentennial year of 1988, to represent 200 years of European
settlement and commemorate all the Indigenous Australians who died
as a result of conflict, but were denied burial rites. It proposes
that there are other ways to look at The Memorial, both in form and
content, than have previously been investigated. These are
therefore examined and argued in this work, while attention is paid
to such issues as Yolngu mortuary practices, the influence of
European settlers on traditional practices, the entry of such
mortuary pieces into the public and gallery domain, a clan-based
interpretation of the imagery on the hollow logs and
memorialisation (in western culture). The Aboriginal Memorial is on
permanent display at The National Gallery of Australia.
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