This outstanding collection of Susan McClary's work exemplifies her
contribution to a bridging of the gap between historical context,
culture and musical practice. The selection includes essays which
have had a major impact on the field and others which are less
known and reproduced here from hard-to-find sources. The volume is
divided into four parts: Interpretation and Polemics, Gender and
Sexuality, Popular Music, and Early Music. Each of the essays
treats music as cultural text and has a strong interdisciplinary
appeal. Together with the autobiographical introduction they will
prove essential reading for anyone interested in the life and times
of a renegade musicologist.
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