More than any other poet, Heinrich Heine has provided composers for
almost two hundred years with texts for music: more than eight
thousand compositions to date. Nineteenth-century composers were
drawn in particular to a limited selection of Heine's early lyrical
works from the Buch der Lieder and the Neue Gedichte for their
songs; poems such as 'Du bist wie eine Blume', 'The sea hath its
pearls' and 'Was will die einsame Trane' were set to music over and
over again. In this 2007 book, Youens examines some of the reasons
for Heine's popularity, especially the fact that composers in the
second quarter of the nineteenth century were drawn to him for
songs in radical styles, songs that redefined what Lied could be
and do. Specific topics of this book include Schubert's fusion of
reinvented song traditions with radical tonal procedures and the
political meanings of poetry and song in Schumann's time.
General
Imprint: |
Cambridge UniversityPress
|
Country of origin: |
United Kingdom |
Release date: |
June 2011 |
First published: |
March 2011 |
Authors: |
Susan Youens
|
Dimensions: |
244 x 172 x 24mm (L x W x T) |
Format: |
Book
|
Pages: |
410 |
ISBN-13: |
978-0-521-29395-2 |
Categories: |
Books >
Arts & Architecture >
Music >
General
Books >
Music >
General
|
LSN: |
0-521-29395-2 |
Barcode: |
9780521293952 |
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