Susannah Hagan boldly discusses the fraught relationship between
key dominating areas of architectural discourse - digital design,
environmental design, and avant-garde design.
Digitalia firstly demonstrates that drawing such firm lines
between architectural spheres is damaging and foolish, particularly
as both environmental and avant-garde practices are experimenting
with the digital, and secondly remonstrates with an avant-garde
that has repudiated the social/ethical agenda of the modernist
avant-garde because it failed the first time round. It is
environmental architecture that has picked up the social/ethical
ball and is running with it, using the digital to very different,
and more far-reaching, ends.
As the debates rage, this book is a key read for all who are
involved or intrigued.
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