This volume is the first monograph devoted to Woods Davy and
collects the works made by the artist from 1978 to the present,
highlighting their context, the stories connected to their
creation, and the artistic development to which they bear witness.
Woods’s growth is in fact marked by an evolution: his early
practice is characterised by bold architectural abstractions and
monumental installations, while his later work possesses a more
reflective character. These latter pieces are compositions of
smooth, rounded stones that appear to float in the air, defying
gravity. The publication also focuses on an in-depth analysis of
his Cantamar series. However, Woods’s work also draws upon ideas
derived from his passion for art collecting, in particular the
masks used by the Songye and Luba peoples that inhabit the south
eastern regions of the Democratic Republic of Congo. He in fact
owns what is certainly the most important private collection of
Kifwebe masks. The connection between these two poles around which
Woods’s life revolves is quite simple: in both there is a
negation of the natural order. On the one hand, stones float like
clouds, while on the other, men are transformed into a hybrid of
human, animal, and spirit.
General
Imprint: |
Five Continents Editions
|
Country of origin: |
Italy |
Release date: |
November 2023 |
Preface by: |
Suzanne Muchnic
|
Text writers: |
Shana Nys Dambrot
|
Dimensions: |
285 x 230mm (L x W) |
Pages: |
240 |
ISBN-13: |
979-1-254-60040-5 |
Categories: |
Books
|
LSN: |
X82-PR6-UFU-3 |
Barcode: |
9791254600405 |
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