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Ninth Art. Bande dessinee, Books and the Gentrification of Mass Culture, 1964-1975 (Hardcover, 1st ed. 2023)
Loot Price: R1,268
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Ninth Art. Bande dessinee, Books and the Gentrification of Mass Culture, 1964-1975 (Hardcover, 1st ed. 2023)
Series: Palgrave Studies in Comics and Graphic Novels
Expected to ship within 10 - 15 working days
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In France, comics are commonly referred to as the "ninth art". What
does it mean to see comics as art? This book looks at the singular
status of comics in the French cultural landscape. Bandes dessinees
have long been published in French newspapers and magazines. In the
early 1960s, a new standard format emerged: large hardback books,
called albums. Albums played a key role in the emergence of the
ninth art and its acceptance among other forms of literary
narrative. From Barbarella in 1964 to La Ballade de la mer salee in
1975, from Asterix and its million copies to Tintin and its screen
versions, within the space of just a few years the comics landscape
underwent a deep transformation. The album opened up new ways of
creating, distributing, and reading bandes dessinees. This shift
upended the market, transformed readership, initiated new
transmedia adaptations, generated critical discourse, and gave
birth to new kinds of comics fandom. These transformations are
analysed through a series of case studies, each focusing on a
noteworthy album. By retracing the publishing and critical history
of these classic bandes dessinees, this book questions the blind
spots of a canon based on the album format and uncovers the
legitimisation processes that turned bande dessinee into the ninth
art.
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