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Roman Catholic Church Music in England, 1791-1914: A Handmaid of the Liturgy? (Hardcover, New Ed)
Loot Price: R4,280
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Roman Catholic Church Music in England, 1791-1914: A Handmaid of the Liturgy? (Hardcover, New Ed)
Series: Music in Nineteenth-Century Britain
Expected to ship within 12 - 17 working days
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Roman Catholic church music in England served the needs of a
vigorous, vibrant and multi-faceted community that grew from about
70,000 to 1.7 million people during the long nineteenth century.
Contemporary literature of all kinds abounds, along with numerous
collections of sheet music, some running to hundreds, occasionally
even thousands, of separate pieces, many of which have since been
forgotten. Apart from compositions in the latest Classical Viennese
styles and their successors, much of the music performed
constituted a revival or imitation of older musical genres,
especially plainchant and Renaissance Polyphony. Furthermore, many
pieces that had originally been intended to be performed by
professional musicians for the benefit of privileged royal,
aristocratic or high ecclesiastical elites were repackaged for
rendition by amateurs before largely working or lower middle class
congregations, many of them Irish. However, outside Catholic
circles, little attention has been paid to this subject.
Consequently, the achievements and widespread popularity of many
composers (such as Joseph Egbert Turner, Henry George Nixon or John
Richardson) within the English Catholic community have passed
largely unnoticed. Worse still, much of the evidence is rapidly
disappearing, partly because it no longer seems relevant to the
needs of the modern Catholic Church in England. This book provides
a framework of the main aspects of Catholic church music in this
period, showing how and why it developed in the way it did. Dr Muir
sets the music in its historical, liturgical and legal context,
pointing to the ways in which the music itself can be used as
evidence to throw light on the changing character of English
Catholicism. As a result the book will appeal not only to scholars
and students working in the field, but also to church musicians,
liturgists, historians, ecclesiastics and other interested Catholic
and non-Catholic parties.
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