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Magical Realism in Postcolonial British Fiction - History, Nation, and Narration (Paperback)
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Magical Realism in Postcolonial British Fiction - History, Nation, and Narration (Paperback)
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List price R1,375
Loot Price R583
Discovery Miles 5 830
You Save R792 (58%)
Expected to ship within 12 - 17 working days
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This study aims at delineating the cultural work of magical realism
as a dominant narrative mode in postcolonial British fiction
through a detailed analysis of four magical realist novels: Salman
Rushdie's Midnight's Children (1981), Shashi Tharoor's The Great
Indian Novel (1989), Ben Okri's The Famished Road (1991), and Syl
Cheney-Coker's The Last Harmattan of Alusine Dunbar (1990). The
main focus of attention lies on the ways in which the novelists in
question have exploited the potentials of magical realism to
represent their hybrid cultural and national identities. To provide
the necessary historical context for the discussion, the author
first traces the development of magical realism from its origins in
European Painting to its appropriation into literature by European
and Latin American writers and explores the contested definitions
of magical realism and the critical questions surrounding them. He
then proceeds to analyze the relationship between the paradigmatic
turn that took place in postcolonial literatures in the 1980s and
the concomitant rise of magical realism as the literary expression
of Third World countries. .
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