Networking means to create nets of relations, where the publisher
and the reader, the artist and the audience, act on the same level.
The book is a first tentative reconstruction of the history of
artistic networking in Italy, through an analysis of media and art
projects which during the past twenty years have given way to a
creative, shared and aware use of technologies, from video to
computers, contributing to the creation of Italian hacker
communities. The Italian network proposes a form of critical
information, disseminated through independent and collective
projects where the idea of freedom of expression is a central
theme. In Italy, thanks to the alternative use of Internet, during
the past twenty years a vast national network of people who share
political, cultural and artistic views has been formed. The book
describes the evolution of the Italian hacktivism and net culture
from the 1980s till today. It builds a reflection on the new role
of the artist and author who becomes a networker, operating in
collective nets, reconnecting to Neoavant-garde practices of the
1960s (first and foremost Fluxus), but also Mail Art, Neoism and
Luther Blissett. A path which began in BBSes, alternative web
platforms spread in Italy through the 1980s even before the
Internet even existed, and then moved on to Hackmeetings, to
Telestreet and networking art by different artists such as
0100101110101101.ORG, epidemiC], Jaromil, Giacomo Verde, Giovanotti
Mondani Meccanici, Correnti Magnetiche, Candida TV, Tommaso Tozzi,
Federico Bucalossi, Massimo Contrasto, Mariano Equizzi, Pigreca,
Molleindustria, Guerriglia Marketing, Sexyshock, Phag Off and many
others.
General
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