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Celluloid Sermons - The Emergence of the Christian Film Industry, 1930-1986 (Hardcover)
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Celluloid Sermons - The Emergence of the Christian Film Industry, 1930-1986 (Hardcover)
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Christian filmmaking, done outside of the corporate Hollywood
industry and produced for Christian churches, affected a
significant audience of church people. Protestant denominations and
individuals believed that they could preach and teach more
effectively through the mass medium of film. Although suspicion
toward the film industry marked many conservatives during the early
1930s, many Christian leaders came to believe in the power of
technology to convert or to morally instruct people. Thus the
growth of a Christian film industry was an extension of the
Protestant tradition of preaching, with the films becoming
celluloid sermons. Celluloid Sermons is the first historical study
of this phenomenon. Terry Lindvall and Andrew Quicke highlight key
characters, studios, and influential films of the movement from
1930 to 1986-such as the Billy Graham Association, with its major
WorldWide Pictures productions of films like The Hiding Place, Ken
Curtis' Gateway Films, the apocalyptic "end-time" films by Mark IV
(e.g. Thief in the Night), and the instructional video-films of
Dobson's Focus on the Family--assessing the extent to which the
church's commitment to filmmaking accelerated its missions and
demonstrating that its filmic endeavors had the unintended
consequence of contributing to the secularization of liberal
denominations.
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