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Books > Arts & Architecture > History of art / art & design styles
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Making the Modern - Industry, Art, and Design in America (Paperback, New edition)
Loot Price: R1,971
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Making the Modern - Industry, Art, and Design in America (Paperback, New edition)
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In this ambitious book, Terry Smith chronicles the modernist
revolution in American art and design - from its origins in the new
industrial culture of the twentieth century to its powerful and
transforming effects on the way Americans came to see themselves
and their world. From Ford Motor's first assembly line in 1913 to
the New York World's Fair in 1939, Smith traces the distinctive
visual imagery that evolved as the core of American modernity in
the first half of the twentieth century. Illustrated with an
extraordinary variety of photographs, many previously unpublished,
Making the Modern focuses on the key images of modernity - industry
and workers, cities and crowds, and products and consumers - as
portrayed across the broad spectrum of American experience. Albert
Kahn's plant designs, Charles Sheeler's industrial landscapes,
Margaret Bourke White's photographs, Diego Rivera's Detroit murals,
the design of Fortune magazine, advertising, the FSA historical
project - all are cited here in a brilliant synthesis of visual
imagery and historical interpretation. Smith reveals how this
visual revolution played an instrumental role in the complex
psychological, social, economic, and technological changes that
came to be known as the second industrial revolution. From the role
of visualization in the invention of the assembly line, to office
and building design, to the corporate and lifestyle images that
filled new magazines such as Life and Fortune, he traces the extent
to which the second wave of industrialization engaged the visual
arts to project a new iconology of progress. Employing a wide rage
of disciplines - including history of technology, business, design,
art, advertising, andarchitecture - Smith provides fresh readings
of an array of topics including: the nostalgic desire for the past
as an essential part of modernity; Frida Kahlo's feminist
resistance to masculinist modernization; the popularity of
industrial design; the Chicago and New York expositions as
consumerist utopias. This broad, challenging work advances our
understanding not only of twentieth-century art and design, but
also of a crucial period in the history of modern culture.
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