French director Jean-Luc Godard's deconstruction of the process of
construction, both of film narrative and The Rolling Stones' song
'Sympathy for the Devil'. The film presents a collage for the
viewer to engage with as they like. Interweaved is footage of the
Stones in the studio, writing, rehearsing and recording the famous
song, and footage of a group of Black Power protestors in a used
car lot, brandishing guns and reading revolutionary tracts.
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