Opinionated and example-filled, this extremely concise and
accessible book provides a survey of some fundamental and
longstanding debates about the nature of music. The central
arguments and ideas of historical and contemporary philosophers are
presented with the goal of making them as accessible as possible to
general readers who have no background in philosophy. The emphasis
is on instrumental music, but examples are drawn from many cultures
as well as from Western classical, jazz, folk, and popular music.
General
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