Premiering in 1993 on FOX Network, The X-Files followed the
investigations of two FBI special agents, Fox Mulder and Dr. Dana
Scully as they pursued the supernatural, the bizarre, and the
alien, as well as the government conspiracies at work to conceal
the truth of their existence. For nine seasons, Chris Carter's
series broke new ground in complex narrative television by
integrating science fiction and horror with the forensic
investigation of the detective genre. Shaped by the conspiracy
films of the 1970s, the series had the ability to comment on the
contemporary political climate one week and poke fun at its own
self-seriousness the next. Responding to its cinematic visual
style, haunting score, complex and nuanced writing, witty dialog,
and the exceptional acting of David Duchovny and Gillian Anderson,
who elevated the show with their chemistry, fans embraced The
X-Files, making it one of the most beloved cult television series
to this day. The aim of this book is to provide the reader with
several points of entry into the television series, with social,
cultural, and political analyses framed by the examination of the
show's many overlapping genres. Divided into chapters highlighting
the episodic standalones known as the ""monster-of-the-week""
(MOTW) and the serial mythology or ""mytharc,"" the first section
of the book explores the ways the MOTWs represented social
differences in stories of fantastic, supernatural beings both
strange and estranged. Through comparative analyses and detailed
discussions of individual episodes, it becomes clear that the MOTWs
were less concerned with the alien than with alienation, using the
figure of the ""monster"" to focus on a range of ethnic, racial,
and social outsiders. The latter half of the book turns to the
serialized mythology, examining both the arc of the alien
conspiracy as well as the fan-driven relationship between Mulder
and Scully. While the romance subplot was powered in part by the
show's fans, the alien-government conspiracy mythology was Carter's
unique vision. This volume argues that The X-Files was a milestone
because it employed the generic tropes of science fiction to call
our attention to contemporary global politics and the history
behind them. Specifically, Theresa Geller maps the ways the series
used the mytharc not to predict the future, but to unbury the
violence and injustice of our own past. With its return to
television as an ""event series"" in 2016, this volume offers a
timely assessment of the show's cultural relevance and social
significance. Fans of the show, as well as readers interested in
cultural studies, genre criticism, race and ethnicity, fan studies,
social commentary, and gender studies will appreciate this
insightful examination of the series.
General
Imprint: |
Wayne State University Press
|
Country of origin: |
United States |
Series: |
TV Milestones Series |
Release date: |
December 2016 |
Authors: |
Theresa L. Geller
|
Dimensions: |
178 x 127 x 12mm (L x W x T) |
Format: |
Paperback
|
Pages: |
144 |
ISBN-13: |
978-0-8143-3942-8 |
Categories: |
Books >
Arts & Architecture >
Performing arts >
Television
|
LSN: |
0-8143-3942-5 |
Barcode: |
9780814339428 |
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