This illustrated overview presents a comprehensive comparative
analysis of Screwball Comedy and Film Noir, two popular Hollywood
genres that emerged at nearly the same time. Despite their contrast
in tone and theme, ""Screwball"" and ""Noir"" have many narrative
elements in common. The author defines the two, discussing their
historical development and related conventions and offering
detailed analyses of a number of films, among them The Lady Eve and
His Girl Friday on the ""Screwball"" side, and Gilda and Sunset
Blvd. on the ""Noir"" side. Two appendices offer a comprehensive
filmography of Screwball comedies from 1934 through 1954 and a
selected filmography of Film Noir titles, covering 1941 through
1958.
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