"Playing to the Camera" is the first full-length study devoted
to the musical performance documentary. Its scope ranges from music
education films to punk rock concert films to experimental video
art featuring modernist music. Unlike the 'music under' produced
for movies by anonymous musicians sequestered in recording studios,
on-screen 'live' performances remind us of the relation between
music and the bodies that produce it. Leaving aside analysis of the
film score to explore the link between moving images and musical
movement as physical gesture, this volume asks why performance has
so often been derided as a mere skill whereas composition is
afforded the status of art, a question that opens onto a broader
critique of attitudes regarding mental and physical labor in
Western culture.
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