"Beatrice of Bayou Teche" is a work of great historical and
artistic interest: a late-nineteenth-century novel by a white woman
about a black woman artist-protagonist. As the introduction for
this reprint edition shows, Alice Ilgenfritz Jones was the first
white woman to take an extended interest in the intersection of
creativity, race, and gender. In "Beatrice," Jones seeks to unveil
the relationships between white and African Americans during the
twenty years before the Civil War by following her mixed-race
protagonist from her childhood as a slave in New Orleans through
her career as a free woman and inspired painter and opera singer.
"Beatrice" renders the white author's effort to find a place for
the mixed-race woman in relation to paradigms of creativity that
are not only gendered but racialized. In the process, it exposes
the fault lines of ideology and literary convention that underlie
attempts to negotiate issues of race, gender, and creativity in
late nineteenth-century America.
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