This is the first comprehensive study of the works of one of
Ireland's most significant contemporary poets. Thomas Kinsella, who
first became well known in Ireland in the 1950s, now ranks among
the most important of his generation of Irish poets. Although he is
considered by many to be the most serious and the most experimental
of the contemporary Irish poets, his work has received little
critical attention. Kinsella is often credited with bringing the
techniques of international modernism to Irish verse. Jackson
presents a rounded critique of the later poems, whose art engages,
analyses and morally restructures the content of the poet's world.
What emerges from The Whole Matter is a picture of Kinsella's
astonishingly far-reaching evolution, culminating in an art deeply
engaged with the culture around it and with the entire human
predicament.
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