It is 1930, and ground has just been broken for the Empire State
Building. One of the thousands of men who will come to work high
above the city is Michael Briody, an Irish immigrant torn between
his desire to make a new life in America and his pledge to gather
money and arms for the Irish republican cause. When he meets Grace
Masterson, an alluring artist who is depicting the great
skyscraper's rise from her houseboat on the East River, Briody's
life suddenly turns exhilarating--and dangerous--for Grace is also
a paramour of Johnny Farrell, Mayor Jimmy Walker's liaison with
Tammany Hall and the underworld. Thomas Kelly is the author of two
previous novels: "Payback," called "the best story about New York's
labor unions, corrupt contractors and organized crime since "On the
Waterfront"" (S"an Francisco Chronicle"); and "The Rackets,"
described as "an elegy for the city's old Irish working class, and
even for its tangled, unavoidable dealings with the Mafia" ("The
New York Times Book Review"). Kelly, who worked for ten years in
construction, is a graduate of Fordham University and Harvard's
John F. Kennedy School of Government. He lives in New York City. A
"New York Times "Notable Book
A "Chicago"" Tribune "Best Book of the Year
It is 1930, and ground has just been broken for The Empire State
Building, dubbed "the Eighth Wonder of the World." One of the
thousands of men working high above the city is Michael Briody, an
Irish immigrant torn between his desire to make a new life in
America and his pledge to gather money and arms for the Irish
Republican cause. When he meets Grace Masterson, an alluring artist
who is depicting the great skyscraper's rise from her houseboat on
the East River, Briody's life turns exhilarating--and dangerous,
for Grace is also a paramour of Johnny Farrell, Mayor Jimmy
Walker's liaison with Tammany Hall, and the New York underworld.
Their heartbreaking love story--which takes place both in the rough
neighborhoods of the Bronx and amid the swanky nightlife of the
'21' Club--is also a chronicle of the city's passage from a
working-class enclave to a world-class metropolis, and a vivid
reimagining of the conflict that pitted the Tammany Hall political
machine against the boundlessly ambitious Franklin Delano
Roosevelt.
With "Payback" and "The Rackets," Thomas Kelly has shown himself to
be a master of the urban thriller. With "Empire Rising" he takes
his work to a new level. In his telling of the story of the people
who made America's most distinctivecity, New York is brought
exuberantly to life. ""Empire Rising" is an ode to urban grease;
I'll never look at that grand old building the same way again . . .
There is a compelling muscularity to [Kelly's] work--the plots
barrel along, the characters are wildly colorful--and there is a
dead-on authenticity to the dialogue and the atmospherics. There is
also a bracing, and rare, appreciation for the sheer satisfaction
of honest work . . . Kelly is a big-hearted and admirably ambitious
writer. He wants to show the city top to bottom, from Jimmy
Walker's boudoir to the Irish pubs in the South Bronx where the
construction workers drink their paychecks . . . Kelly's city is
palpably alive and passionate, and very recognizably New York,
especially in the vertiginous rush of upward mobility, the fissures
it causes within families, the loyalties strained, the traditions
lost."--Joe Klein, "The New York Times Book Review"
"Kelly mixes his fictional characters with historical ones, and the
dialogue and atmospherics are pitch-perfect."--Ihsan Taylor, "The
New York Times Book Review" "Kelly has obviously done his research.
New York in 1930 shines through the pages with high resolution.
Kelly gives us impressive cameos of Babe Ruth, the photographer
Lewis Hines, and Cab Calloway, as well as Franklin Delano
Roosevelt, whose presidential ambitions drive much of the political
deal-making in the novel . . . The swiftness with which Kelly moves
from the atmosphere of the job site to his cataloging of the
manifold processes conveys the feeling of exhilaration he achieves
throughout the book . . . Through his seemingly effortless use of
research as well as his unpretentious prose style, Kelly reveals
genuine talent."--Peter Campion, "San Francisco Chronicle"
"The plot is filled with murky intrigue and dirty secrets . . .
[Kelly] knows how to tell stories and write muscular
sentences."--"USA"" Today"
"The ferocious struggle for survival has rarely seemed so
entertaining."--Dan Cryer, "Newsday"
"This is an extraordinary novel, teeming with the sweat and risk of
skilled labor, the abstractions of belief, the aching need for
love."--Peter Hamill
""Empire Rising" is, at bottom, a love story, told by one of my
favorite authors: a writer of candor, grace, wit, and skill, who
writes about the New York where the unique spirit of the Irish
hovers over every sidewalk, building, street, and alleyway."--James
McBride, author of "The Color of Water"
""Empire Rising" is a vivid, evocative, enthralling tale of
gangsters, pols, an enduring New York mystery, and hard, joyful
work. This is historical fiction writing at its best."--Kevin
Baker, author of "Paradise Alley"
""Empire Rising" is vivid, vibrant, and raw, a story about beauty
and corruption, idealism and violence, as intricate as New York
City itself."--Lauren Belfer, author of "City of ""Light"" "
"At the heart of this audacious novel is a unique love story
between two 1930s immigrants, both so compellingly drawn that one
almost forgets the scaffolds that hold them together: corruption,
power, greed, art, and desire."--Colum McCann, author of "Dancer"
and "This Side of Brightness"
"Tom Kelly's labors recall those he chronicles in the creation of
New York's signature skyscraper, piling mind over matter and then
matter over mind until we reach striking heights."--Edward Conlon,
author of "Blue Blood"
"An audacious and compelling narrative by a master storyteller:
tough, tender, and beautifully imagined, this intensely American
tale is universal in its scope."--Joseph O'Connor, author of "Star
of the Sea"
"The construction of the Empire State Building in 1930--a display
of 'the great industrial frenzy of America' in a time of Depression
and Prohibition--forms the background for this savage urban
melodrama. Like Kelly's previous fiction, his third novel is a
knowledgeable, vigorously detailed portrayal of big-city political
and fiscal skullduggery and corruption, featuring a generous host
of brawling characters . . . Kelly keeps it all moving, juxtaposing
worksite scenes high above the city, meetings in miscellaneous
smoke-filled rooms, hotel rendezvous between Grace and her married
lover Farrell, and violence on the perilous streets where men
marked by the city's rival Irish, Italian, and Jewish mobs suffer
'justice.' The supporting cast includes such nicely drawn presences
as powerful racketeer Tough Tommy Touhey, crooked Judge Crater
(tucked securely into Touhey's pocket until he undertakes an
ill-advised double-cross), and Briody's firebrand Irish Republican
landlord, Danny Casey, as well as cameo appearances by Babe Ruth, a
sexually frisky FDR, and heavyweight pug Prim
General
Imprint: |
Picador USA
|
Country of origin: |
United States |
Release date: |
2006 |
First published: |
2006 |
Authors: |
Thomas Kelly
|
Dimensions: |
208 x 140 x 25mm (L x W x T) |
Format: |
Paperback - Trade
|
Pages: |
400 |
ISBN-13: |
978-0-312-42574-6 |
Categories: |
Books >
Fiction >
Genre fiction >
Historical fiction
|
LSN: |
0-312-42574-0 |
Barcode: |
9780312425746 |
Is the information for this product incomplete, wrong or inappropriate?
Let us know about it.
Does this product have an incorrect or missing image?
Send us a new image.
Is this product missing categories?
Add more categories.
Review This Product
No reviews yet - be the first to create one!