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Opera and Politics in Queen Anne's Britain, 1705-1714 (Hardcover)
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Opera and Politics in Queen Anne's Britain, 1705-1714 (Hardcover)
Series: Music in Britain, 1600-2000
Expected to ship within 12 - 17 working days
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Explores the political meanings that Italian opera - its composers,
agents and institutions - had for audiences in eighteenth-century
Britain. The reign of Queen Anne (1702-1714) was pivotal for both
politics and opera in Britain. In this study, Thomas McGeary brings
together a wide range of sources to show how the worlds of politics
and opera were entwined. The associations that Italian singing and
singers acquired by the 1690s were used in partisan Whig-Tory
writings. Rather than a foreign invasion, McGeary shows how the
introduction of Italian-style opera was a native product that grew
out of plans for a new theatre in the Haymarket. A crucial event
for opera was Handel's arrival in London in 1710. While the
criticism of opera by Whig writers such as Richard Steele and
Joseph Addison is well known, McGeary uncovers how the early
promotion and sponsorship of opera was, in fact, largely a Whig
enterprise and cultural program. Indeed, major political figures
(mostly Whigs) participated in the support and patronage of opera.
Opera and Politics in Queen Anne's Britain will be required reading
for opera scholars and cultural and political historians of
eighteenth-century Britain, as well those interested in the vibrant
literature culture of the period.
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