The ordinary musician has long known the book as a repository of
human nature as well as of recondite learning. He can now read it
and enjoy it as he would a novel or a play or a monograph on an
aspect of social history. If he does so he will find the way made
still easier for him in this edition by Mr. Thurston Dart s
foreword, which is a brilliant summary of sixteenth-century musical
practice in England. Times London] Literary Supplement"
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